{"id":453,"date":"2020-05-07T21:25:02","date_gmt":"2020-05-07T19:25:02","guid":{"rendered":"http:\/\/lexctyu.cluster028.hosting.ovh.net\/?p=453"},"modified":"2020-05-24T22:40:51","modified_gmt":"2020-05-24T20:40:51","slug":"anaxagoras","status":"publish","type":"post","link":"https:\/\/denisauton.com\/index.php\/2020\/05\/07\/anaxagoras\/","title":{"rendered":"Anaxagoras."},"content":{"rendered":"\n

1989, Projet d’art urbain laur\u00e9at du concours \u00ab\u00a0inventer 89\u00a0\u00bb exposition Grande Hall de la Vilette, Paris et exposition \u00ab\u00a0observatoire banlieue\u00a0\u00bb Centre George Pompidou, Paris.<\/p>\n\n\n\n

Anaxagoras<\/p>\n\n\n\n

En 1789 Saint Jean de la Ruelle est un petit bourg. Du souffle r\u00e9volutionnaire, qui comme partout ailleurs le traverse, ne t\u00e9moigne dans la ville que la mairie, petite bicoque abandonn\u00e9e. Aujourd’hui, la ville de Saint de la Ruelle, dont l’urbanisme d\u00e9borde de vitalit\u00e9, cherche un sens \u00e0 ce tissu urbain morcel\u00e9, compos\u00e9 d’\u00e9l\u00e9ments h\u00e9t\u00e9roclites propres \u00e0 toutes les banlieues.<\/p>\n\n\n\n

Anaxagoras, est n\u00e9 \u00e0 ce point pr\u00e9cis de la double aspiration d’une commune \u00e0 affirmer son unit\u00e9 et \u00e0 comm\u00e9morer ces principes fondateurs.<\/p>\n\n\n\n

Mais, de part sa p\u00e9rennit\u00e9 une oeuvre d’art urbaine se devait d’\u00eatre plus qu’un \u00e9v\u00e9nement comm\u00e9moratif. Nous esp\u00e9rons que le projet et, \u00e0 travers lui, la comm\u00e9moration, serviront Saint Jean de la Ruelle, comme nous nous sommes servis de la r\u00e9volution pour le concevoir.<\/p>\n\n\n\n

Deux alignements parcourent la ville, selon une droite et une courbe, qui courent l’une depuis le sud, l’autre depuis le nord, et s’\u00e9vitent au centre de la ville.<\/p>\n\n\n\n

La courbe longe la tangentielle, qui ach\u00e8ve son trac\u00e9 futur dans les vergers. Elle est constitu\u00e9e de 25 membranes de b\u00e9ton, coupl\u00e9es chacune \u00e0 autant de luminaires qui \u00e9mettront une lumi\u00e8re bleue. Elles accompagnent l’automobiliste depuis un carrefour (qui distribue le flux routier sur l’ensemble de la ville), jusqu’\u00e0 la limit\u00e9 nord de la commune, situ\u00e9e dans les vergers, vestige d’un pass\u00e9 rural.<\/p>\n\n\n\n

La droite qui passe par l’ancienne mairie de 1791, et un tr\u00e8s vieux c\u00e8dre du bord de Loire, est constitu\u00e9e d’une quinzaine de lieux dans lesquels sont mis en sc\u00e8ne des blocs d’ardoises. Elle traverse rues, maisons et jardins. Certaines implantations se trouveront sur des terrains priv\u00e9s, ce projet ne peut alors se r\u00e9aliser sans l’approbation des int\u00e9ress\u00e9s.<\/p>\n\n\n\n

Ce confrontant \u00e0 tous les types de propri\u00e9taires : particuliers, citadins, ruraux, institutions, Etat…<\/p>\n\n\n\n

Ce projet n\u00e9cessite une approbation \u00e0 la fois individuelle te collective de l’oeuvre.<\/p>\n\n\n\n

Mise en place auparavant, une borne estampille situera les lieux d’interventions. Symboles de l’institution, ces bornes engageront les premiers dialogues avec les habitants.<\/p>\n\n\n\n

Dans le temps hors mis l’\u00e9v\u00e9nement de sa r\u00e9alisation, Anaxagoras poursuivra sa vie, nourrit des rumeurs, des histoires simples que peuvent inspir\u00e9es ces pr\u00e9sences discr\u00e8tes, facile support \u00e0 l’imaginaire.<\/p>\n\n\n\n

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    <\/p>\n","protected":false},"excerpt":{"rendered":"

    1989, Projet d’art urbain laur\u00e9at du concours \u00ab\u00a0inventer 89\u00a0\u00bb exposition Grande Hall de la Vilette, Paris et exposition \u00ab\u00a0observatoire banlieue\u00a0\u00bb Centre George Pompidou, Paris. 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